Natasha Wimmer, translator of Roberto Bolaño’s 2666 and Álvaro Enrigue’s Sudden Death, explains her work process and why she’s translating a woman’s work next. Pair with our founder C. Max Magee’s thoughts on machine translation.
The LA Times‘ Festival of Books is happening this weekend, and attendees have not one, not two, but three chances to see Millions staffers Patrick Brown and Edan Lepucki. On Saturday, Patrick will be hanging out on the Nuts and Bolts publishing panel, and on Sunday, he’ll be moderating one entitled Art of Immersion. Also on Sunday, Edan will moderate the Visionary Eyes fiction panel with Aimee Bender, Mark Leyner, Ben Ehrenreich, and Elizabeth Crane.
Do people still need to study the humanities? You’d think the answer is “yes, of course,” but the issue is far more complicated than that. In a bid to sort it out, The New Republic recently asked a group of former university presidents to give their viewpoints on the matter. Sample quote: “Humanities faculty have too often conspired well.” Pair with: our own Nick Ripatrazone on coming to writing from outside the humanities.
On February 17th, the University of Iowa’s International Writing Program will launch a free digital course open to everybody with an internet connection. The course is entitled “Every Atom: Walt Whitman’s Song of Myself,” and registration is now open. The course will “take a collective approach to a close reading of America’s democratic verse epic.”
“The late 1920s found him in Hollywood (‘This place is loathsome’) drowning, stingless, in MGM honey, while doing hack work on a silly Marion Davies vehicle. His descriptions of reptilian studio fauna make for delicious reading.” At The Daily Beast, a look at P.G. Wodehouse: A Life in Letters.