Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
New this week is Sarah Vowell's Unfamiliar Fishes (reviewed here) along with new story collections from E.L. Doctorow (All the Time in the World) and Jim Shepard (You Think That's Bad). Also new this week is Kate Atkinson's latest Jackson Brodie mystery Started Early, Took My Dog and Paul McEuen's debut mixing "science and suspense" Spiral. Out in paperback is Millions Hall of Famer A Visit from the Goon Squad by Jennifer Egan.
Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.
Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.