Alexander Chee has a stunning new story in Guernica. He writes, “I wanted to eat and so I learned to sing…It took more than a witch to make a singer out of me.” Pair with Claire Cameron’s Millions interview with the author about his new novel, The Queen of the Night.
The New Yorker has been hosting a Twitter game show, and this time around the contestants were words and in a macabre turn each word was berated by the audience, the people calling out for the death of that contestant. One word was forced to ultimately bite the bullet and will no longer be welcome in the magazine’s next issue. Tragic.
Jeff Sharlet traveled to Russia because he “wanted to see what ordinary LGBT life was like in a nation whose leaders have decided that ‘homosexualism’ is a threat to its ‘sexual sovereignty.’” What he found was unsettling and terrifying, but the courage of the LGBT community members he interviewed is also incredibly inspiring. Set aside time to read this one. It’s essential.
Robert Fitterman, author of Nevermind, a book of poems created from Nirvana’s seminal album, interviews critic and scholar Paul Stephens about his own work and Nirvana’s art. Looking for more music related lit? Check out our Torch Ballads and Jukebox Music section.
Steven Soderbergh is interested in bringing The Sot-Weed Factor – John Barth’s “750-plus-page satire of picaresque novels” – to the big, silver or computer screen. You should start getting excited about this if you’re from Maryland, interested in literature, or tickled by the word “beshit.”
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.