Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
Oh, Gross
Tuesday New Release Day
Happy Freedom Day: The work at the center of all the reviews, magazine covers, and even, of course, controversy, has arrived. Jonathan Franzen’s long-awaited novel Freedom hits shelves today. Our review. Also out today is Booker longlister Skippy Dies by Paul Murray. Another newly translated Roberto Bolaño is out, The Insufferable Gaucho. As is You Were Wrong by Jamestown author Matthew Sharpe. Finally, fashion fans will dig vintage Japanese prepster handbook Take Ivy.
Miraculous
“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
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Ghost Stories and Haunted Histories, as Told by Louise Erdrich
Pulitzer-Prize winning author Louise Erdrich discusses her new novel, The Sentence, a ghost story that handles serious topics with nuance and dark humor.
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“Linguistic loot”
Recommended Reading: Kate Manning on the “slumgullions” of English.
He’ll Ask You For a Napkin
Mallory Ortberg of The Toast, whose Ayn Rand-inspired versions of Harry Potter and the Half-Blood Prince and You’ve Got Mail we told you about a few months ago, is back it at again. Now Rand (er, I mean, Ortberg) has her sights set on the dubiously libertarian children’s classic If You Give a Mouse a Cookie. If we give you the article, you’ll probably ask us for an essay by Gary Percesepe about meeting Ayn Rand’s editor to go along with it.
The Crisis of the Canon
“I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing.” On Derrida, Foucault, and the deconstructionist defense of the canon.
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“There’s a quiver in the dead flesh.”
Recommended Viewing: Robert Bly reads his poem, “The Dead Seal at McClure’s Beach.”