Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
“… Stop talking about diversity and start decolonizing our shelves.”At the Winter Institute 2018 (Wi13), keynote speaker Junot Diaz lambasted the publishing industry for talking — but doing little else — about diversity in literature, and implored librarians and booksellers to fill their shelves with diverse books. From our archives: an essay on race, gender, and Diaz’s writing.
Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown’s latest, Paying for It is out, and musician and actor Steve Earle can now add “novelist” to his resume with the release of I’ll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall’s The Lonely Polygamist and Karl Marlantes’s Matterhorn.
How do you celebrate Pride and Prejudice‘s 200th birthday? By building a 12-foot tall statue of Colin Firth’s Mr. Darcy in his wet shirt. The fiberglass statue is temporarily installed in Hyde Park but will tour the U.K. before settling in Lyme Park, Cheshire, where the famous scene was filmed.
Tomorrow (January 18th), sites like Wikipedia and Reddit will go dark to protest SOPA. Anyone who’s been online over the past few weeks probably has a vague sense of why this proposed legislation is bad news for the internet as we know it, but Reddit has put up a blog post delving into the language and illustrating the frankly alarming ramifications of its passage.