Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
Oh, Gross
Team Betty
Archie finally chooses between Betty and Veronica–but, don’t worry, there are 5 more issues in the series… (via @largeheartedboy)
Please Be Quiet, Please
Recommended Reading: This essay from The Rumpus on total noise and total silence, touching on everyone from Mikhail Zoshchenko to Don DeLillo.
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Jonathan Lethem’s New York
At The Rumpus, Richard Greenwald writes about the novels of Jonathan Lethem, urban gentrification, and the Sisyphean feat of achieving authenticity in New York.