Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak’s work and Zadie Smith’s books is a fact of Turkey’s shifting cultural values rather than plagiarism: “Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more.” For a bit of context, here’s Lydia Kiesling’s rundown of the initial scandal.