“I can’t remember another single work of art ever having had that immediate and powerful an impact, which of course makes the experience quite impossible to describe. As I experienced it, it drove me out of my wretched mind … I do know that I knew immediately that my sense of what science fiction could be had been permanently altered.” William Gibson on having his world rocked (and artistic sensibilities altered) by Chris Marker’s 1962 short film La Jetée.
School hasn’t started back up yet, so if you’re looking for ways to entertain your kids until the end of Summer, I recommend perusing NPR’s round-up of “100 Must-Reads For Kids 9-14.” (Or, you know, tell them to just go outside already. And to be sure to shut the door to keep the air conditioning in.)
Are you familiar with JT LeRoy (or rather, Savannah Knoop … or wait, Laura Albert), perpetrator of one of the greatest literary hoaxes in recent memory? Author: The JT LeRoy Story is a new documentary by Jeff Feuerzeig that asks questions about whether or not existence is predicated on real-world physicality — LeRoy’s books exist, so doesn’t LeRoy exist by association?
In The New York Times, Tatjana Soli gives high praise to Snow Hunters, the first novel by Once the Shore author and Best American Short Stories alumnus Paul Yoon. The novel, which tells the tale of a North Korean refugee named Yohan, proves that Yoon is “well-suited to the short form,” she writes. (Related: Soli has written for us.)
J.K. Rowling loves Robert F. Kennedy. She revealed on her website that she chose the pseudonym Robert Galbraith after Kennedy and her childhood alias, Ella Galbraith. “I can only hope all the real Robert Galbraiths out there will be as forgiving as the real Harry Potters have been. I must say, I don’t think their plight is quite as embarrassing,” she wrote.
“We live, in short, with local exceptions, in a dissociated world held together by fragile links of utility and self-promotion underpinned by laws of mutual advantage—a materialist ethos and cosmos that cannot but influence cultural representations and, hence, art, including poetry.” On John Donne and the humanity in art.