The New Yorker is not a magazine for the general public, writes Summer Brennan in the Literary Hub. “Because The New Yorker is nothing if not a view of the world from a comfortable vantage point. The intensity of the features is balanced by reviews of Manhattan restaurants and jokes about how busy we all are. Print magazines are tribal, and we swear our allegiance by buying them and opening them up. The New Yorker assumes that I am politically liberal and have read Chekhov’s The Seagull, and The New Yorker is right.”
44 Issues
“Happiness was born a twin.”
Robert and Richard Kalich are identical twins, and their family had the misfortune of having them both grow up to be writers.
The Help: Feel-Good or Offensive?
Though it had a promising box office debut, The Help is ruffling some feathers for its portrayal of African American women. Roxane Gay sums things up nicely for The Rumpus.
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“Let the past collapse at the right time”
In the latest issue of the New York Review of Books, Ice Trilogy author Vladimir Sorokin looks at the current events related to Ukraine, Russia, and Crimea, and notes that “the Russian state’s ‘vertical power’ structure” (which is to say “monarchical structure”) is what keeps the Russian people held “hostage to the psychosomatic quirks of its leader.”
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Photosynthesis?
Thinking Through Texts with Anuk Arudpragasam
Anuk Arudpragasam discusses his novel, A Passage North, and how he relates to the reading habits of his main character, Krishan.
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Abstract
Up until 1999, Italian college students were required to write longform theses, which explains why Umberto Eco felt the need to write a guide to completing one. Eco being Eco, however, the guide went on to become a classic with many applications. At Page-Turner, Hua Hsu explains why the author’s writing manual is also a guide to life. You could also read Hillary Kelly on Eco’s Confessions of a Young Novelist.
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