Out this week: Good on Paper by Rachel Cantor; Girl Through Glass by Sari Wilson; Unspeakable Things by Kathleen Spivack; On the Edge by Rafael Chirbes; The Unfinished World by Amber Sparks; and Fine, Fine, Fine, Fine, Fine by Diane Williams. For more on these and other new titles, go read our Great 2016 Book Preview.
Tuesday New Release Day: Cantor; Wilson; Spivack; Chirbes; Sparks; Williams
On Equity in Publishing
Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
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On Productive Friendships
Recommended Reading: Alexandra Alter on Greg Neri’s Tru & Nelle, an upcoming novel about Harper Lee and Truman Capote.
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Where Are You Going, Where Have You Been
Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
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Dating Woody
Diane Keaton writes in her upcoming memoir, Then Again, that “Going out with Woody Allen was like being in a Woody Allen movie.”
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Crowdsourcing Translation
Three thousand Russians volunteered to proofread “forty-six thousand eight hundred pages” of Leo Tolstoy’s writings over the course of fourteen days. Soon their efforts will be available online for all to see. Meanwhile, Buzzfeed is catching some heat for enlisting the services of unpaid Duolingo students in order to translate site content for Spanish, French, and Brazilian Portuguese readers.
It’s Not TV, It’s Jonathan Franzen.
To celebrate the official HBO adaptation of Jonathan Franzen‘s The Corrections, The New Yorker has compiled a list of “Franzen Facts.”
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