Recommended Reading: This bizarre little story by Diane Williams as recommended by Deb Olin Unferth at Electric Literature. The story can be found in Williams’ recently published collection of stories Fine, Fine, Fine, Fine, Fine.
No Slight Thing
Kafka’s Dogs
Recommended Reading: On the subject of dogs in Kafka’s works at Queen Mob’s Teahouse. Our own Matt Seidel rereads The Metamorphosis in different places, letting his setting shape the reading of the text.
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New Miranda July Work on the Way
Welcome news for Miranda July fans: she tweeted this week that she’s finished work on her debut novel, The First Bad Man. The book will publish in January 2015.
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Hitch Hearts Hilary
Hitchens elevates Hilary Mantel to “the very first rank of historical novelists” in a long consideration of Wolf Hall.
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Table 4 Ready to Award New Grants
Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
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“I have a lot of feelings about the meeting.”
I highly recommend reading Jennifer Gilmore’s emotional essay on meeting “the birth mother.”
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The Latest in Obama Lit
Obama inclined readers looking for a swifter read than The Bridge should pick up the pithy new anthology of poems composed during President Obama’s first hundred days in office, Starting Today: 100 Poems for Obama’s First 100 Days.
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Writers and Their Books
Equal parts voyeuristically indulgent and unapologetically stimulating, Unpacking My Library: Writers and Their Books is the second installment in Yale University Press’s ongoing series, a journey into the personal libraries of thirteen favorite authors. This installment? Alison Bechdel, Stephen Carter, Junot Díaz, Rebecca Goldstein, and more.
On the All-Nighter
If you’ve pulled an all-nighter, you understand the strange mental space that follows. Carmen Maria Machado brings us into that space at Catapult.