“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.