“Dear publisher, I am sorry if I do so few of these stories justice. Someone else surely will. I don’t know what justice for a book is but I think I saw it as I prayed over this one.” Matthew Jakubowski reviews Diane Williams’ latest collection Fine, Fine, Fine, Fine, Fine at Minor Literature[s]. You could also read his reviews of Azareen Van der Vliet Oloomi’s Fra Keeler and Margriet de Moor’s The Storm at The Millions.
Vanity Fair explores the change in attitude among the literati about writing for TV and notes that “[I]ncreasingly, the industry is ransacking bookshelves for adaptable novels and short stories. And fiction writers are becoming show-runners themselves.”
“By running two lives that started from the same point off along divergent tracks, they throw up questions about our uniqueness, and the chances and choices that make us who we are.” On identical twins in literature, from Stephen King to Shakespeare. Also check out Ramona Ausubel’s essay on first children and first novels.
Joe Kubert died this week at the age of 85. Perhaps best known as the DC comics legend responsible for such characters as Sgt. Rock, Hawkman, Enemy Ace, and Tor, Kubert was also the founder of The Kubert School, the only accredited trade school for comic book artists in the country. You can check out a video of Kubert talking about digital comics over here.
“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.
Some Mormons are excited about the recent news of Trey Parker and Matt Stone‘s forthcoming musical, The Book of Mormon: “How can they call us a cult once we’re headlining 52nd Street? The Jews got ‘Fiddler.’ The Catholics got ‘The Sound of Music’ and ‘Doubt.’ It’s our time to shine.” Read more at the Salt Lake Tribune.