“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.
Home Is Where the Story Begins
Previewing Batuman
The Possessed: Adventures with Russian Books and the People Who Read Them, the forthcoming debut effort by sometime Millions contributor Elif Batuman, gets an intriguing write-up in Publishers Weekly.
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8Bits and Ottoman arts
Broadcasting the Atocha Station
An A+ radio interview with Leaving the Atocha Station author Ben Lerner, you say? Why, yes, I think that’s right up my alley.
More Adler
It’s turning into Speedboat Week here, so why not spend the weekend with some of Renata Adler‘s most renowned nonfiction? Her controversial reassessment of Pauline Kael (featuring “A Limitless Capacity to Inquire,” one of the best found poems you’ll ever read) is at the NYRB, and her deep dive into l’affaire Lewinski can be found at the L.A. Times. Interestingly, as Sarah Weinman points out, Adler’s 2001 book about the Bilderberg Conferences still hasn’t seen the light of day. (“Who suppresses manuscripts? We do!”)
Join David Bowie’s Book Club
David Bowie was quite the avid reader. In his honor, his son, Duncan Jones, has launched an online book club that will focus on books Bowie enjoyed. The first book is Hawksmoor and the discussion is on February 1st. Will you be participating?