Phillip Pullman, author of the much-beloved His Dark Materials series, has resigned as a patron of the Oxford Literary Festival due to the festival’s practice of not paying its guest authors. This move comes only one week after Pullman and the Society of Authors released an open letter to The Publisher’s Association and the Independent Publisher’s Guild, demanding authors receive fair compensation for their work.
“When you want to read a long book, for reasons of weight a paperback must do, and you’ll just have to suck it up re: its inevitably smaller print and wind-catchingly thinner pages.” Here’s a handy guide to reading while you walk from the good people over at The Awl.
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.