Phillip Pullman, author of the much-beloved His Dark Materials series, has resigned as a patron of the Oxford Literary Festival due to the festival’s practice of not paying its guest authors. This move comes only one week after Pullman and the Society of Authors released an open letter to The Publisher’s Association and the Independent Publisher’s Guild, demanding authors receive fair compensation for their work.
His Dark Resignation
In Defense of Anti-Writing
Over at the handsomely redesigned Open Letters Monthly, yours truly weighs in on William T. Vollmann.
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But Do Listen
Live in New York? Like Flavorpill? Then you should probably mosey on down to their event on Thursday, where they’ll be listening to the songwriter Holly Miranda and talking with Lindsay Hunter about her new book, Don’t Kiss Me. (If you’ll recall, our own Nick Moran wrote about Lindsay’s work here and here.)
Win Zak Smith’s Gravity’s Rainbow
The Quarterly Conversation is holding a contest for readers. They’ll be giving away a hardcover copy of Zak Smith’s illustrated Gravity’s Rainbow.
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“Perfect translation … is of course impossible.”
Ever wonder how Google Translate works? Now you know. These two pieces (one and two) on Lydia Davis‘ translation of Madame Bovary are worth revisiting, too.
Something Brewing on Twitter
Be sure you’re following @The_Millions on Twitter if you’re interested in entering our first ever sponsored giveaway of a special signed book. Look for details on Twitter later today.
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The Plagiarist
“How I wish he’d stuck to being himself. Instead, he chose to be me.” How it feels to have one’s poetry plagiarized.
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Joyce Works for Google
“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
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