“What Belongs to You is a haunting, gorgeous, and fierce debut, capturing desire in every sentence—holding the space of what we long for and what can never truly be ours.” The Rumpus reviews Garth Greenwell’s debut novel. To compare and contrast, pair with our review of the novel.
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
James Salter reviews Paul Hendrickson‘s Hemingway’s Boat for The New York Review of Books. Relatedly, Helena Price has been using 1000memories to compile “memory pages” to “explore the life of Ernest Hemingway as well as his friends and family.” Of particular note is this poster imploring us to “Live the HemingWAY.” Also related, The Paris Review shares a letter from Papa to his sister Ursala Hemingway.
Out this week: Startup by Doree Shafrir; Borne by Jeff VanderMeer; The Maids by Junichiro Tanizaki; The Last Neanderthal by our own Claire Cameron; and Anything Is Possible by Elizabeth Strout. For more on these and other new titles, go read our most recent book preview.