Have you ever had a script rejected? Did you reassure yourself it had to do with just about anything other than the quality of your writing? Well now's the chance to put your money where your mouth is - a new Hollywood startup called Adaptive Studios is "rummaging through the trash" and breathing new life into dead movie scripts.
Starting this year, Kirkus Reviews will award the impressive sum of $50,000 each to three winners of their new Kirkus Prize, which recognizes works of fiction, nonfiction and children’s literature. This morning, they announced their first-ever batch of finalists, a long list including a few names who should be familiar to Millions readers: Elizabeth Kolbert (for The Sixth Extinction, which we published an essay about); Year in Reading alum Sarah Waters (for The Paying Guests); Thomas Piketty (for Capital in the 21st Century); New Yorker cartoonist Roz Chast (for her memoir); and Siri Hustvedt (for The Blazing World, which we reviewed). Their judges will announce the winners on October 23rd.
Callie Collins sits down with Emily Bell, the editor of Farrar, Straus, and Giroux Originals, in the latest issue of Midnight Breakfast. Bell also published Lucia Berlin’s recent story collection A Manual for Cleaning Women. Bell states: “The voices I publish, they’re not trying to please their readers.”
Read here, in the University of Washington's alumni magazine, about how Marilynne Robinson approaches a book's essence as "an elaborate needlepoint of decisions and observations"; how novels visit upon her as surprises; and how her recent move to New York might spawn yet another gift to readers.
There’s a scandal gaining traction in the UK, and it involves sending books through the mail. The country’s justice secretary, Chris Grayling, is standing by a new law that bans inmates from receiving parcels of books. According to him, the law is intended to make inmates “earn [their] privileges.” (h/t Page-Turner)
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert "Mack" McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”