“Katrina Dodson has spent more time thinking about the word ‘chicken’ than you have spent thinking about anything.” The Stranger sits down with Katrina Dodson, translator of Clarice Lispector’s The Complete Stories. Pair with Dodson’s Year in Reading.
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
“This is a tricky novel to review. I'm not even sure it is a novel. And I'm not certain as to whether its fragmentary nature belies an organic structure of astutely sewn intention or is merely a disingenuous device to conceal a let's-get-something-out cobbling together of unpublished material lying around the writer's desk. What I can tell you is this: I was powerfully engaged and richly entertained by Sergio De La Pava’s Personae.” (Related: our own Garth Risk Hallberg wrote a profile of De La Pava.)
"Can a conference really transcend its essential conferenceness?" For a conference on Geoff Dyer, that's the essential question, and the Los Angeles Review of Books has an answer. Pair with Dyer's Year in Reading and Janet Potter's review of Another Great Day at Sea.
How did Neil Gaiman and Dave McKean create one of DC's most popular comics in history? The Guardian finds out the inspiration behind The Sandman. McKean shares the stories behind his favorite covers, and Gaiman also addresses his resemblance to Dream. "I suppose he looks like me, though. But that's one of those peculiar things where you gradually start to look like your dog."
Those of you who know the joy of reading romance novels with your friends have probably wondered at some point what people who write erotica are like. Are they bankers and professionals? Housewives and mistresses? Are they some combination of all of the above? At Slate, a chaste look at the lives of unchaste writers.