A new, annotated edition of Mein Kampf is slated for release sometime next week, and it’s already poised to be a bestseller in Germany. The edition, which aims to “unmask his false allegations, whitewashing and outright lies,” will debut at number 20 on the bestseller list after increased demand bumped the initial print run up to 15,000 copies.
We have some bad news, writers. People actually dislike creative thinking. Despite how society celebrates creativity, most people are too risk averse to appreciate it, studies indicate. What’s the upside? Social rejection can bolster your creativity, but most writers probably knew that already.
In case you missed it: Google bought Frommer’s last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. “They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown.”
At the Missouri Review blog, our own Tess Malone writes about the supposed death of the English major, which has lost a considerable amount of popularity in the last forty years in favor of “practical disciplines.” Among other things, she links to New Republic editor Leon Wieseltier’s Brandeis commencement speech, which I wrote about a few weeks ago.
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.