A new, annotated edition of Mein Kampf is slated for release sometime next week, and it’s already poised to be a bestseller in Germany. The edition, which aims to “unmask his false allegations, whitewashing and outright lies,” will debut at number 20 on the bestseller list after increased demand bumped the initial print run up to 15,000 copies.
"To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week." The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions' interview with the acclaimed novelist.
Linda Chavers pens an important letter to black girls everywhere. She writes, “I am giving you the prologue. You must go forward accepting and understanding that no one will ever do it as well as you do, and no one will ever tell you that you do it better than anybody else.” Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”
Among the many quotable and occasionally perplexing lines in this interview with V. S. Naipual is this one, which the Bend In The River author drops upon hearing that his interviewer, Isaac Chotiner, is a fan of P. G. Wodehouse: “I can’t read Wodehouse. The thought of, shall we say, facing three or four months of nothing but Wodehouse novels fills me with horror.”