Ryan Topper writes for Public Books about Netflix’s Beasts of No Nation and rejects the white savior plot that characterizes many child-soldier narratives. Pair with Noah Deutsch’s Millions review of the novel on which the series was based.
NME journalist and Man and Boy author Tony Parsons has been named London’s Heathrow Airport’s second writer in residence. He will use his weeklong stay to research for his new book Departures: Seven Stories from Heathrow. It will be released in October, and the BAA plans on distributing 5,000 copies to airport customers. In 2009, Alain de Botton served as the airport’s first writer in residence, and he used his stint to pen A Week at the Airport.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
In an interview about her new book, The Day I Shot Cupid: Hello, My Name Is Jennifer Love Hewitt and I’m a Love-aholic, Jennifer Love had some rather startling advice for jilted young ladies: “After a breakup, a friend of mine Swarovski-crystalled my precious lady. It shined like a disco ball so I have a whole chapter in there on how women should vagazzle their vajayjays.”