Mexican novelist and part-time literary prankster Mario Bellatin is up to his old tricks again. This time, the one-armed author/provocateur has decided to wage war against his own publisher. Bellatin claims the twentieth anniversary edition of his classic Beauty Salon was published too early and without his express consent–a brief “coda from the author” was included which Bellatin insists was nothing but a draft in progress. As such, he has been urging fans not to purchase his book.
Salon de Huh?
“The intersection of nature and man, and lovely”
In recent months we’ve had pieces about the homes belonging to Zora Neale Hurston and George Orwell, so in the spirit of that trend I encourage you to check out Nic Brown’s brief look at William Faulkner’s beloved Rowan Oak.
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Dispatch From Last Week’s Episode
What better way to warm up for Leigh Stein’s forthcoming Dispatch From the Future than by reading her ongoing series of reality-TV-inspired poetry, such as this installment for The Bachelorette, Season 8, Episode 2?
Lunch Break
“Today I ate my shame, regurgitated it as a self-disgust, and digested it again as indolence. Known in the physical world as udon noodles with shrimp tempura,” Teddy Wayne told VICE. He and other writers (including our own Emily St. John Mandel) were profiled on what they eat for lunch. On the side: famous writers’ favorite snacks (Lord Byron liked to drink vinegar.)
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Owning It
“What I want to argue is that we in contemporary English and literature departments need to think instead about how to keep doing abstraction, but better—how can we ‘own’ it, as my students might say, rather than wish it away.” Jeanne-Marie Jackson writes at 3:AM Magazine about comparative literature, the public, and politics.
The Childhood Writing of the Brontë Sisters
Mel Sherwood takes a closer look at the first writing by the Brontë sisters, whose literary talents were apparent from an early age.
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From Wharton to Woolf
Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
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