Joseph P. Kahn writes for The Boston Globe that books published posthumously are among the most profitable, from Stieg Larsson’s Millennium trilogy to David Foster Wallace’s The Pale King. Pair with the opening lines of The Pale King, and a previously unpublished scene.
Get ready for the return of Breaking Bad by reading Michelle Kuo and Albert Wu in the LARB, and also by reading Max Rivlin-Nadler’s piece in The Nation. Or, if you want to take a walk down memory lane, check out Chuck Klosterman’s piece from last year in which he convincingly argued that Walter White’s odyssey makes for best drama on television. Lastly, here’s some good news for those among you who subscribe to DirectTV and are thus locked out of AMC: you can stream tonight’s episode on the company’s website.
“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions’ own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
Do you love poetry, but often wish you were monitored on more government watchlists? Well, now you can scratch both of those itches by purchasing Poetry of the Taliban, a new anthology endorsed by and published on the group’s website. Unsurprisingly, the book has garnered its share of criticism, but as Melville House’s Kelly Burdick notes, it also has a coalition of allies and proponents.
Check it out: Creative Nonfiction and Writing Away the Stigma are teaming up to put on a six-part writing workshop and fellowship for individuals who have been affected by mental illness. Twelve writers will have the opportunity to study, free of charge, with the founder and editor of Creative Nonfiction magazine, Lee Gutkind. Submissions are accepted throughout the month of November.