Joseph P. Kahn writes for The Boston Globe that books published posthumously are among the most profitable, from Stieg Larsson’s Millennium trilogy to David Foster Wallace’s The Pale King. Pair with the opening lines of The Pale King, and a previously unpublished scene.
Milk It Until It’s Dead
Goodbye to Brazenhead
Recommended reading: Brian Patrick Eha's goodbye to Brazenhead Books, published in the New Yorker. Pair with J.T. Price's piece on the closing of Brazenhead for The Millions.
Activist Art
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
●
●
Shitty Mentor Subgenre
Is it just a kind of literary Stockholm Syndrome? This essay from Electric Literature explores why writing students idolize such horrible mentors. For more on what it means to be a mentor, here’s an essay from The Millions.
Tuesday New Release Day: Hassman, Taylor, Nooteboom, Powell
New this week: Tupelo Hassman's debut Girlchild, a pair of novels -- Angel and A Game of Hide and Seek -- by Elizabeth Taylor (not the actress) from NYRB Classics featuring introductions by Hilary Mantel and Caleb Crain, Self-Portrait of an Other, prose poems by Cees Nooteboom, and Useless Landscape, or A Guide for Boys, a new poetry collection from D.A. Powell.
“Unfilmable” Novel to be Filmed
Salman Rushdie’s “unfilmable” novel Midnight’s Children, winner of the "Booker of Bookers," is apparently coming to the big screen.
●
●
Going Back Up There
It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.