“It suddenly went off: ‘Oh, fuck, I’m going to try it as a novel, aren’t I?’ A terrifying realization because John Lennon is such an iconic figure—and the feeling I get out around there, this kind of eeriness, this kind of strange haunted reverberation. I mean, the fuckin’ Atlantic is a really weird thing to grow up right beside.” Millions staff writer Bill Morris sat down with Kevin Barry to talk about his new book, Beatlebone, and about the trouble of getting John Lennon’s voice right on the page. Morris has brought you a bit on Barry in the past.
Imagine All the Islands
Bad Memories
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.
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Abandon All Hope
Man, if Ian McEwan has crises of faith in fiction, how should the rest of us feel? Good question.
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Guerilla Reading
Does literature belong on the streets? Thanks to some forward-thinking initiatives like the Coffee Sleeves Conversation at Coffee House Press and the Chicago-based project “Poem While You Wait,” (in which poets stationed around the city produce original, on-demand poems for five dollars a piece) literature is finding its way to the masses.
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Gosling to Direct His own Film
Hey Girl, Ryan Gosling will direct a “fantasy noir” film he wrote entitled How to Catch a Monster. It’ll star his Drive cast-mate Christina Hendricks.
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Hemingway’s Bullfights Aren’t What They’re Cracked Up to Be
“Eric Nusbaum went to a bullfight in Mexico City, and, among other things, he realized Ernest Hemingway was totally wrong.”