“This year wasn’t short on the best kind of book: the type that polarizes opinion.” The New Republic reviews the most divisive books of the year. Included is our own Garth Risk Hallberg’s City on Fire. Check out opening lines from the story and an interview with the author.
Recommended reading: elderly sisters contend with the youngest dying, in a quietly wry new story by Allegra Goodman at the New Yorker. “She pretended to sleep, and then she really did drop off. When she woke, her sisters were hovering over her. Some of us have overstayed our welcome, Jeanne thought. And then, with sudden shock, No: I’m the one. That would be me.”
Why would anyone write a book anonymously? Maria Bustillos ponders anonymity at The New Yorker. “Anonymous is more than a pseudonym. It is a stark declaration of intent: a wall explicitly thrown up, not only between writer and reader, but between the writer’s work and his life.”
“The art of rejection, like the art of writing, requires submission, discipline, patience, failure,” executive editor Jeff Shotts writes on Graywolf Press’s blog about rejection. Pair with: Our “Ask A Writing Teacher” column about tiers of rejections at literary journals.
Excerpts from Anthony Michael Morena’s The Voyager Record: A Transmission are now available online in Ninth Letter. Morena combines flash fiction and prose poetry in his record of the phonograph record that was included on the Voyager spacecrafts. The record plated with gold contained 27 songs, 118 images, and greetings in 55 languages, and was meant to summarize all life on Earth for the extraterrestrials.