Over at Full Stop, Josephine Livingstone writes about Eileen Myles’s hip image and the renewed success of Chelsea Girls. Also check out Stephanie LaCava’s Millions essay on how social media helped to push Myles’s book into the mainstream.
“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Pretty good deal on Amazon today: All the e-book versions of the “Best American” books are $1.99.
In the latest Baffler, Evgeny Morozov argues that Silicon Valley, in typical fashion, has taken to “hacking” our language. Old, trusted words don’t mean what they used to mean, and complex ideas have been stripped of subversive implications. “Complexity,” he writes, “is not particularly viral.”