Over at the Public Domain Review, Sharon Ruston examines the scientific background to Mary Shelley’s Frankenstein, from resuscitation to galvanism.
Between Life and Death
Messes of Contradiction
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
Cher and Cher Alike
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Goodnight, Stein
“My students are not as puzzled by Gertrude Stein as I expect them to be. Stein writes: ‘Glazed Glitter. Nickel, what is nickel,’ and my students recognize the moment of wondering. This habit of wonder is familiar in part because we have been raised on the lists of Goodnight Moon.” On Gertrude Stein, Goodnight Moon, and the wonderment of language from Slate.
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The real Susan Orlean diet
The Skinny is acclaimed author Susan Orlean's strangest work, hands down: a half-serious diet book that advises women, among other things, to cover tempting food with bleach. Not one to follow her own advice, Orlean's diary of a week of eating for Grub Street features yogurt breakfasts, crackers eaten over sinks, and other basically realistic, bleach-free culinary adventures.
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Stay Woken
"Woken is the usual past participle of the verb wake in modern English, but in some historical and contemporary varieties the past tense form woke is also used as a past participle." The Oxford English Dictionary offers notes on the more than 600 new words, phrases, and senses added to its lexicon this quarter, including hygge, particle zoo, post-truth, and woke. Perhaps the OED can help our own Edan Lepucki, who needs help giving 11 feelings and experiences names.
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Let the Wild Rumpus Begin
Dave Eggers shares the skinny on his forthcoming Where the Wild Things Are project - including an excerpt of the novel and the killer trailer for the movie version - with The New Yorker.
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