Out this week: The Big Green Tent by Ludmila Ulitskaya; Hotels of North America by Rick Moody; A Wild Swan: And Other Tales by Michael Cunningham; Dear Mr. You by Mary-Louise Parker; and Rules for a Knight by the actor Ethan Hawke. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
Were you aware there’s a new BBC2 show about the lives of the Bloomsbury Group? There is, and it’s called Life in Squares, a reference to a quote that says the group “lived in squares, painted in circles and loved in triangles.” In The New Statesman, Rachel Cooke sits down with the series. You could also read Alexis Coe on Virginia Woolf and Downton Abbey.
“To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human.” Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.
David Letterman has possibly topped himself. As told on the show last night, he has been doing some creepy things. Click here for the video of one of the most bizarre, fascinating — and arguably brilliant, from a PR standpoint — mea culpas in recent history.