Out this week: Avenue of Mysteries by John Irving; Twain & Stanley Enter Paradise by Oscar Hijuelos; Numero Zero by Umberto Eco; The Improbability of Love by Hannah Rothschild; Wherever There Is Light by Peter Golden; City of Clowns by Daniel Alarcón; and The Mare by Mary Gaitskill (who we interviewed today). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
“The last two years have given long overdue visibility to trans / non-binary realities, pushing us to re-imagine what centering the margins truly means. Being intentional, though, is more than a special issue of a literary journal for the ‘marginalized;’ it’s about creating a space for folk to curate, create, and declare their own bodies: of work, of resistance, of survival.” Editor Jayy Dodd introduces the new issue of The Offing, devoted to trans and non-binary artists. Pair with our own Sonya Chung’s piece on literary activism.
Out this week: Exit West by Mohsin Hamid; South and West: From a Notebook by Joan Didion; All Grown Up by Jami Attenberg; Ill Will by Dan Chaon; The Accusation by Bandi; The Night Ocean by Paul La Farge; and American Berserk by our own Bill Morris. For more on these and other new titles, go read our most recent book preview.
In random-but-awesome news, Geoff Manaugh's BLDGBLOG reports on a new project by Dutch earth scientists to piece together what they're calling an "atlas of the underworld." Using CT scans to visualize "invisible landscape features—the ghostly remains of entire continents—hidden inside the planet," the project will reveal a surface within earth's surface. See also: our review of Where You Are, an anthology of sixteen alternative maps by a range of artists and writers including Geoff Dyer, Valeria Luiselli, and Leanne Shapton.