Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called “sharing economy” tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years.
Not that the circumstances are always ideal, as our own Jacob Lambert attests in his “Open Letter to the Person Who Wiped Boogers on My Library Book.”
Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.
Hey! Are you a fan of our Facebook page? If not, you’re missing out on some unique, international Millions content – like this shelf section Nick Moran spotted in a Kaohsiung bookstore, or this brand of “literary” whiskey discovered by Thom Beckwith in Ireland.
Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.