This morning, the longlist for the 2016 International Dublin Literary Award came out, and the nominees include some familiar names. Year in Reading alumnus Anthony Doerr’s All the Light We Cannot See (which won this year’s Pulitzer, whom you can learn more about in this essay by our own Michael Bourne) is on there, as is Year in Reading alumnus Michael Cunningham’s The Snow Queen, Year in Reading alumna Roxane Gay’s An Untamed State (reviewed here by Aboubacar Ndiaye), and A Brief History of Seven Killings by Marlon James (winner of this year’s Booker Prize).
This fantastic essay from The Rumpus argues for the abandonment of realism in American fiction. Charles Finch wrote an essay for The Millions on the truce between realism and fabulism in Gabriel Garcia Marquez’s One Hundred Years of Solitude that pairs quite nicely.
“Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says.” Adam Fleming Petty on “Writing from the Nowhere State.”
Over at Hyperallergic, Claire Voon tours the New York Public Library’s collection of historical erotica, ranging from graphic illustrations hidden in photo albums to mid-century gay erotica. Pair with this Millions essay on private libraries and what books reveal about their readers.
The Nation expends about 7,500 words to say Malcolm Gladwell is a hack. The source of the umbrage: “a cheerful, conversational voice deployed in a perfectly paced dopamine prose that had the palliative effect of nullifying whatever concerns readers might have about this product or that problem.”
Over at The Washington Post, Jeff Guo makes a case against periods. As he puts it, “When we get excited, the pauses between our sentences shrink. We speak in run-ons. […] A period feels too weighty.” Also check out this Millions piece on the benefits of excising quotation marks.