A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.
Imagine a reality television show that pits up-and-coming writers against each other in a series of challenges designed to test their skills and endurance. When the smoke clears, and the bourbon’s gone, one talented writer will be reborn into gritty glory; only one writer will become America’s Next Top Writer!
“Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political.” Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.
“Though statements have been issued over the years, no one has ever provided full disclosure of the alleged 1974 government experiment called OPERATION EMU (Experimental Mitigated Universe) during which an entire Hollywood film crew, contracted by the government, disappeared in a remote section of Nevada.” Is this Web site a mysterious government coverup of the ravings of a lunatic? Neither. It’s the marketing campaign of a writer shopping his manuscript. (thanks, R.J.)The University of Nebraska Press has a blog. They’ve been plugging away at the blog since January, but I hadn’t seen it until today, when I got an email about it.New issues of The Virginia Quarterly Review and Narrative Magazine are out.