Have you ever wondered how Kafka’s The Trial would translate in music? Philip Glass adapted the novel, and more, to music. Read about other music inspired by literature at Ploughshares. For more on music and literature, check out our Torch Ballads and Jukebox Music column.
Out this week: Mislaid by Nell Zink; A Hand Reached Down to Guide Me by David Gates; Odd Woman in the City by Vivian Gornick; The Life and Death of Sophie Stark by Anna North; The Jesus Cow by Michael Perry; Lifted by the Great Nothing by Karim Dimechkie; The Mountain Can Wait by Sarah Leipciger; England and Other Stories by Graham Swift; and War of the Encyclopaedists by Christopher Robinson and Gavin Kovite. For more on these and other new titles, check out our Great 2015 Book Preview.
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”