“I don’t remember what Davis read, except that it whistled through the air perfectly.” At Electric Literature, Freeman’s editor John Freeman writes about the experience of publishing Lydia Davis. We have a few pieces about Davis to pair with it.
December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
“Half utilitarian data visualization project, half absurdist poetic gesture:” a Brooklyn artist is working to turn all of Wikipedia into a print encyclopedia set numbering some 7,600 volumes. But the best part of the project by far is the titles for those volumes, which include such gems as “Hulk (Aqua Teen Hunger Force) — Humanitarianism in Africa.”
“I think if a woman is absolutely happy with herself, that goes a long way in getting others to accept her choices. But it’s hard to be absolutely happy with yourself, whoever you are. I mean, what kind of maniac is that?” What kind of maniac are you? This interview with Mary Gaitskill from Guernica Magazine is fantastic.