“I don’t remember what Davis read, except that it whistled through the air perfectly.” At Electric Literature, Freeman’s editor John Freeman writes about the experience of publishing Lydia Davis. We have a few pieces about Davis to pair with it.
“The idea that a ‘book of the year’ can be assessed annually by a bunch of people – judges who have to read almost a book a day – is absurd, as is the idea that this is any way of honouring a writer.” Amit Chaudhuri in The Guardian about why the Man Booker Prize “is bad for writers.” And in these pages, Mark O’Connell asks why we care about literary awards at all.
“We can work harder to mourn, get better at it, connect it better to how we live, how we care for people, how we educate people. It’s politics, for me.” ZYZZYVA interviews Max Porter about his Grief Is the Thing with Feathers. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
“The book documents its time, a time when homosexuality was illegal, and still described in medical books as a mental illness. It is one of the best firsthand accounts of what it was like to be gay in the mid-20th century — ostracized — separate from the mainstream world. It reveals, through its characters, how young men couldn’t admit, even to themselves, that they were what society deemed perverted.” On the novel City of Night by John Rechy.
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.