Get to know the ins and outs of bookstore reading etiquette with this helpful guide (featuring none other than Jonathan Franzen) illustrated by Kate Gavino. Gavino, whose book Last Night’s Reading: Illustrated Encounters with Extraordinary Authors is out now, got her start with a wildly successful Tumblr account.
Good/Bad Franzen
The Golden Age of Hip Hop Writing
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.
The Kiddies are Alright
Celebrity watch: that guy from The Decemberists lands a children’s book deal. Waiting in the wings: A Vampire Weekend macroeconomics textbook; Dina Lohan’s‘s haiku collection; and Jeremy Irons’ zombie mashup, Bride’s Head Revivified.
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Where Does He Get Those Wonderful Toys?
The Original of Laura offers a glimpse under the hood of the chromed and gleaming Nabokov machine, writes Sam Anderson of New York Magazine.
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They’re Out There. (Ellos están ahí fuera.)
“Peru’s air force is reopening an office responsible for investigating UFOs due to ‘increased sightings of anomalous aerial phenomena’ in the country’s skies.”
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Defining American Writing
In TNR, Ruth Franklin attempts to debunk the “strangely antiquated definition of American writing” posited in Dalkey’s Best European Fiction anthology. (via)
Liberals! Satiricists! Call Out the Big Dogs!
Steve Almond treks deeper into familiar territory in the latest issue of The Baffler, wherein the essayist takes on “our lazy embrace of [Jon] Stewart and [Stephen] Colbert,” an undoubtedly strong “testament to our own impoverished comic standards.” Indeed, Almond notes, our satirists and comics today remain “careful never to question the corrupt precepts of the status quo too vigorously.”
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Walter Kirn’s Underwear
“For Mr. Kirn, 51, who indeed brims with an outer confidence that can be intimidating at times to those unused to brash, creative types who dress in custom cowboy boots and seem indifferent to the modest niceties of literary image, the loud underwear seems to be working this afternoon.” If this doesn’t read like the typical author profile that’s because Walter Kirn interviewed himself for The New York Times on his new book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. Here’s our review.