In what reads like someone’s answer to the “who would you invite to a literary dinner party” question, novelists Jeanette Winterson and Marlon James sat down for a fantastic conversation at a Miami hotel bar. James’s A Brief History of Seven Killings won the Man Booker prize earlier this year.
From The Guardian, a look at eighty years of book cover design by Faber and Faber.
“Unable to replicate the success of his first novel [The Loom of Youth],” writes Philip Quarles, “[Alec Waugh] did create a lasting impact by being credited with inventing the cocktail party when he shocked guests by serving, instead of afternoon tea, rum swizzles.”
Shark Week 2013 isn’t for another ten months, but you can satisfy your hunger for tales of nautical catastrophe and man-eating fish with these two databases: WreckSite, a collection of shipwrecks classified by worldwide positions, and The International Shark Attack File, a compilation of “all known shark attacks.”
Ever since Paul Thomas Anderson announced his intention to film Inherent Vice, there’s been a lot of hand-wringing over whether it’s even possible to adapt a Thomas Pynchon book for the screen. Now that it’s out, Geoffrey O’Brien investigates how faithful the movie is to the book, and whether or not that’s a good thing. Related: our own Garth Risk Hallberg’s review of the book when it came out.
Out this week: Flood of Fire by Amitav Ghosh; Wind/Pinball by Haruki Murakami; The Marriage of Opposites by Alice Hoffman; Let Me Tell You by Shirley Jackson; Three Moments of an Explosion by China Miéville; The Girl Who Slept with God by Val Brelinski; Make Your Home Among Strangers by Jeanine Capo Crucet; and The Daughters by Adrienne Celt. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“Why can’t we keep our literary heroes where they belong, at the top of the bookshelf next to all the others? And why must we ache for their approval, their admiration, their love?” Alex Gilvarry posts about writers who dare to approach their literary heroes for the Paris Review Daily.