Speaking of France: whether or not you find him disagreeable, Michel Houellebecq is pretty much guaranteed to elicit an emotional response from readers. His new opinion piece in The New York Times is no different. Here’s a review of Houellebecq’s The Map and the Territory that refers to him as a “petty misanthrope.”
Andrew Ervin interviewed Matt Bell for Tin House. Bell’s forthcoming novel In the House Upon the Dirt Between the Lake and Woods will come out this summer. (Excerpt) It’s a book that was at least partially enhanced by Bell’s sense of “competition … of a useful kind” with his friend Robert Kloss. “I was so blown away [by Alligators of Abraham],” Bell admits, “that I can remember having to resist putting down his first novel to go make mine better.”
The New York Public Library released more than 180,000 of its public-domain items, ranging from maps and manuscripts to ancient texts and sheet music. The files can be downloaded on the library’s website, available to the public without restriction.
“Bestselling self-published authors attract producers because they have a proven track record if they stay on Amazon sales charts over time.” The Guardian considers the Hollywood success of writers such as Andy Weir, E. L. James, and Mark Dawson. And just last year our own Bill Morris wondered why literature was enjoying such a good run out in LaLa Land: “Four novels as source material for Oscar-nominated screenplays? What happened? Did some pixie slip a vial of smart powder into the L.A. drinking water?”
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.