Speaking of France: whether or not you find him disagreeable, Michel Houellebecq is pretty much guaranteed to elicit an emotional response from readers. His new opinion piece in The New York Times is no different. Here’s a review of Houellebecq’s The Map and the Territory that refers to him as a “petty misanthrope.”
How would you respond if someone asked you, “If you walk into a liquor store to count the unsold bottles, but the clerk is screaming at you to leave, what do you do?” during a job interview? At The Morning News, Giles Turnbull tried to answer the weirdest job interview questions. His answer to the question: “What in the name of God would I be doing counting unsold bottles in a liquor store? Are you trying to fuck with my mind?”
“I’m always trying to get my friends to forward me emails they’ve sent to other people – to their mom, their boyfriend, their agent – the more mundane the better,” writes Miranda July in the treatment for her latest project, We Think Alone, which counts Kareem Abdul-Jabbar, Etgar Keret, and Kirsten Dunst among its participants. “How they comport themselves in email is so intimate, almost obscene — a glimpse of them from their own point of view.”
This past week at the LBC was a lot of fun. We discussed the book I nominated, The Cottagers by Marshall Klimasewiski. If you missed it, you should check it out, particularly Friday’s podcast which includes an appearance by yours truly.In other podcast news, Ed, who is an accomplished podcaster, tried and failed to interview Marisha Pessl, author of Special Topics in Calamity Physics, for his show. Callie also had some thoughts on Pessl, as did CAAF.Fresh off of declaring that the typical litblogger is “some guy sitting in his basement in Terre Haute,” Richard Ford will see his Bascombe trilogy turned into an HBO mini-series (via Scott). Litblogger Noah gave Ford’s Lay of the Land a good review last year, but for all Ford knows, Noah was writing from here.Scott looks at Dave Eggers’ What is the What and ponders how atrocity is portrayed in fiction.
“In Rilke’s essay on Auguste Rodin, written in the same year, he describes the sculptor’s visits to the Jardin des Plantes early in the morning to sketch the sleepy animals. And later on, in Rodin’s studio on the Rue de l’Université, he observes a tiny plaster cast of an antique tiger that Rodin treasured: ‘There is a cast of a panther, of Greek workmanship, hardly as big as a hand…. If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.’” Henri Cole on the poet and a place that inspired his work.
“The home I grew up in will never exist again, and this is why I write so much about home, perhaps. Because I lost mine,” Jesmyn Ward told Roxane Gay in an interview for The Toast. They discussed Ward’s new memoir, Men We Reaped, her writing process, and how she deals with being labeled a “black woman writer.”