Out this week: A Strangeness in My Mind by Orhan Pamuk; The Mark and the Void by Paul Murray (whom our own Mark O’Connell interviewed today); Submission by Michel Houellebecq; Golden Age by Jane Smiley; The Hours Count by Jillian Cantor; Moon Up, Past Full by Eric Shonkwiler; and Lafayette in the Somewhat United States by Sarah Vowell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
If you have a blog, you’ve probably fielded suggestions from your relatives about what you should write, who you should write about and what personal issues you should address in your posts. At The Hairpin, Michelle Markowitz shares a conversation with her mother on the subject.
Not sure what’s honest and what’s not in your life? Then consult Carl Sagan’s Baloney Detection Kit, which handily lays out seven tools for identifying bad ideas. The astronomer also provided a list of common fallacies in his 1995 book, The Demon-Haunted World.
Brooklyn’s Greenlight Bookstore just launched a First Editions Club where members get a signed first edition of a new book each month. Some recent selections include: George Saunders’s Tenth of December (our review), Jonathan Dee’s A Thousand Pardons (our review), and Philipp Meyer’s The Son.
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs’s essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.
“The way (Yeats) puts down a man’s head & a woman’s head side by side, or face to face, is terrifying, two irreducible singlenesses & the impassable immensity between.” The Paris Review has published a brief, fascinating letter written by Samuel Beckett to his aunt Cissie Sinclair containing an original poem and some positive criticism of the painter Jack B. Yeats. Top it off with this essay by Elizabeth Winkler about language, style, and translation–and how any of that might help to make sense of Beckett’s convoluted legacy.