Out this week: A Strangeness in My Mind by Orhan Pamuk; The Mark and the Void by Paul Murray (whom our own Mark O’Connell interviewed today); Submission by Michel Houellebecq; Golden Age by Jane Smiley; The Hours Count by Jillian Cantor; Moon Up, Past Full by Eric Shonkwiler; and Lafayette in the Somewhat United States by Sarah Vowell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
At Full Stop, the editors interview Susan Bernofsky, who directs the literary translation program at Columbia and has published translations of works by Robert Walser, among other writers. She talks about German phrases that rarely appear in English, as well as the ethics of translating a work faithfully: “I think it’s the translator’s responsibility to be so attuned to the requirements of a given text (and the universe of the author) that these inevitable interventions are always appropriate and never arbitrary or willful,” she says. You could also read Tanya Paperny on the translator Michael Henry Heim.
Out this week: The Color Master, a new short story collection by Aimee Bender; an English-language translation of The Infatuations by Javier Marias; and Brief Encounters with the Enemy, the new Saïd Sayrafiezadeh book that Scott Cheshire reviewed for us on Monday. Read more about these and other releases in our Great 2013 Second-Half Book Preview.
Daniel Orozco‘s Orientation collects many of his short stories in one attractive volume. Released last May, the collection features the classic story “Orientation” (Scribd) as well as newer ones such as “Shakers” (Scribd). It garnered enough hype to land him on the long list for this year’s Frank O’Connor Award.