Out this week: The Early Stories of Truman Capote; Slade House by David Mitchell; After Alice by Gregory Maguire; Dark Corners by Ruth Rendell; The British Lion by Tony Schumacher; We Five by Mark Dunn; and a book of quotations by Cheryl Strayed. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
In lieu of an official trailer, the producers of the film adaptation of Yann Martel’s The Life of Pi have decided to release entire (but short) scenes of the movie one at a time. Here’s the first installment. After watching it, you may want to check out some other tiger literature, and luckily Nina Martyris can help you out with that.
Out this week: Marlena by Julie Buntin; American War by Omar El Akkad; What It Means When a Man Falls from the Sky by Lesley Nneka Arimah; Kingdom of the Young by Edie Meidav; No One Is Coming to Save Us by Stephanie Powell Watts; and Living in the Weather of the World by Richard Bausch. For more on these and other new titles, go read our most recent book preview.
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times "By the Book" series. While you wait, check out our article on what to read after you've finished watching Walter White's saga.
Do "algorithms and online recommendations threaten to replace [publishers] as arbiters of quality"? This Economist riff on e-book publishing says so. Elsewhere, at least 20 companies are using computer software instead of human beings to write their articles.
"These stories feature hookups and breakups, substance abuse, and violence so casual it’s as natural as jagged breathing." Electric Literature has an interview between flash fiction author Len Kuntz and critic and writer David Galef, whose Brevity: A Flash Fiction Handbook was just published by Columbia University Press. The two discuss the state of short fiction, their favorite one-line stories of the year, and how, even in the briefest of narratives, readers should still "feel a connection to the story and characters." For more ultra-lean tales, see our own Emily St. John Mandel's review of Hint Fiction, an anthology of 25-words-and-under short stories.