Out this week: The Early Stories of Truman Capote; Slade House by David Mitchell; After Alice by Gregory Maguire; Dark Corners by Ruth Rendell; The British Lion by Tony Schumacher; We Five by Mark Dunn; and a book of quotations by Cheryl Strayed. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Alison Mudditt, director of The University of California Press, has announced the suspension of the New California Poetry series due to state budget cuts and the challenges posed to “our industry and markets which (not unlike the newspaper industry!) require us to rethink and retool to remain a vibrant and relevant voice in the digital age.”
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
“I am going to propose: The rigmarole is truly underexploited. Everyone should write a ‘Conversations with Drummond’ about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both.” Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
“Embrasser” means to hug and kiss in French, but the new literary journal of the same name is about embracing unique varieties of international French. Embrasser is a Louisiana-based literary translation journal that aims “to highlight and preserve varieties of French that have been marginalized,” founder Emily Thibodeaux said. The journal is accepting fiction poetry, nonfiction, and criticism submissions in English or Louisiana French for its first issue coming out during Mardi Gras 2014.