“Marlon James’s management of the voice and the paragraph isn’t what you’d call unpretty, and he’s good at having it both ways on a larger scale too. Reptilian black-ops masterminds out of a Robert Stone novel as well as bumbling CIA bureaucrats, baroque deaths in the bush and casual killings by the side of the road, historical and magic realism, sex and violence and a more ‘sophisticated kind of art’: the guy’s got it all.” This review of James’ A Brief History of Seven Killings from The London Review of Books is well worth the read.
"Imaginary Oklahoma" is an ongoing platform at This Land Press in which "some of today's most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home." New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled "Always and Forever."
“[I]f your kid isn’t reading yet, he won’t know you’re gender-swapping Elliot the elephant.” Lifehacker considers how to get boys to read so-called “girls' books,” i.e., enjoy books with both male and female protagonists. Pair with T.K. Dalton's consideration of gender, childrearing, and reading.
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.