The New York Times asked graphic artists if “the power of storytelling could be communicated in one panel,” and they responded in comics, of course. For more comics, read Paul Morton’s essay on the 25th anniversary of Drawn and Quarterly.
The Graphics of Storytelling
D.H. Lawrence on Trial
Ben Yagoda provides a step-by-step recount of the 1959 British obscenity case over Lady Chatterley’s Lover, and every noted literary name from Graham Greene to Evelyn Waugh to T. S. Eliot who weighed in: “The whole thing was very well stage-managed with a splendid cast.”
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For Whom the Bell Tolls
The word “whom” appears “just 53 times out of every million [spoken] words,” according to the Corpus of Contemporary American English. This does not bode well for members of future generations – some of whom may be fond of formality.
“It is not enough to have his idea.”
Recommended Reading: Four poems by Darin Ciccotelli are up at BOMB.
44 Issues
The New Yorker is not a magazine for the general public, writes Summer Brennan in the Literary Hub. “Because The New Yorker is nothing if not a view of the world from a comfortable vantage point. The intensity of the features is balanced by reviews of Manhattan restaurants and jokes about how busy we all are. Print magazines are tribal, and we swear our allegiance by buying them and opening them up. The New Yorker assumes that I am politically liberal and have read Chekhov’s The Seagull, and The New Yorker is right.”
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Cleanliness Is Next To Literature
“Chekhov’s contemporaries wondered: What sort of Russian writer was he? He had no solution to the ultimate questions. With no ‘general idea’ to teach, wasn’t he more like a talented Frenchman or Englishman born in the wrong place?” (And our own Sonya Chung argues that personal character was in fact his “general idea.”)
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Books, A.K.A., Tree Sandwiches
Celebrate the 2010 Melbourne Literary Festival–going on now through September 5th–by watching this funny promo video, “10 Facts about Books That You Won’t Read in a Book About Books”.
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