The New York Times asked graphic artists if “the power of storytelling could be communicated in one panel,” and they responded in comics, of course. For more comics, read Paul Morton’s essay on the 25th anniversary of Drawn and Quarterly.
“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”
Forget “Gangnam Style.” The next Korean musical craze should involve the sijo (pronounced “shee-jo”), a type of poem dating back to the 1300s, and, “up until the 20th century … was mostly composed and sung, not written and published.” You can listen to a performance of Yi Cho’nyön’s “Moonlight Pear Blossoms” over here.
V.S. Naipaul (seemingly a professional misogynist at times) rankled many by suggesting there are no women writers that can equal him and calling Jane Austen “sentimental.” Now the Guardian offers up a quiz that challenges readers to identify the gender of an author simply by reading a passage of his or her writing.
For 50 years, The New York Review of Books has written some of the best headlines in the business. Matthew Howard rounds up every headline. Our favorites include: “Don’t Sing Your Crap,” “How Unpleasant to Meet Mr. Baudelaire!“, “Welcome to New Dork,” “It’s Your Fault, Henry James,” and “Portrait of the Artist as a Paradox.”