BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
Want to wean yourself off gin, recover from tuberculosis, and work on your novel? Don't go to Asheville, North Carolina. NPR reports that F. Scott Fitzgerald and Zelda spent two tumultuous summers in the town, where Zelda was in a psychiatric hospital and Scott was suicidal. For more on the unhappy life of Zelda, read our review of Z: A Novel of Zelda Fitzgerald.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Liked watching Chimamanda Ngozi Adichie’s TED Talk last year? Then consider picking up a copy of We Should All Be Feminists. The longform essay, now published as an ebook original, was adapted from topics Adichie touched upon in her speech, among them the importance of being a feminist in the twenty-first century. You could also look back on Adichie’s Year in Reading piece.
When University of Iowa Special Collections librarian Colleen Theisen found hidden fore-edge paintings on a 19th century scientific book Autumn, she made a gif of it, of course. Then, she realized there were more secret paintings for each season and more gifs followed. Who said old books weren't interactive?