BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
Planning to attend this Saturday’s National Book Festival in Washington, D.C.? The Washington Post has provided five sample itineraries. And for an entirely different, vicarious trip, revisit Mythili G. Rao‘s account of visiting the Jaipur Literature Festival a few years back: “To voice their disapproval of the circumstances of Salman Rushdie’s absence, four writers read from The Satanic Verses — a book that has been banned in India. They were advised to leave. What kind of real intellectual discussion could go on in a setting that had proved itself so hospitable to self-censorship?”
New this week: All That Is by James Salter, Life After Life by Kate Atkinson, Woke Up Lonely by Fiona Maazel, The Flamethrowers by Rachel Kushner, The Mermaid of Brooklyn by Amy Shearn, The Odds Against Tomorrow by Nathaniel Rich, and Our Man in Iraq by Robert Perisic.
“[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con.” In Electric Literature‘s “Blunt Instrument” column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
Last night I went to listen to Chris Kraus, Tamara Faith Berger, and Sheila Heti read the dirty parts of their books. Then I wrote a #LitBeat about it. For a little extra context, you might like to also read this article, written by Elizabeth Gumport for n+1, on Kraus’s writing and publishing career.
Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.