BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
Recommended Reading: J. M. Tyree’s new story at Guernica. “There’s a man on the bus sitting directly in front of you. He has a small brown spider crawling across his red shirt, near his left shoulder blade.” You could also watch our episode of The Book Report on Our Secret Life in the Movies by Tyree and Michael McGriff.
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: "My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue."
As the New York Times reports, Anthony Bourdain will soon be acquiring books for Ecco, a HarperCollins imprint. When asked what types of books he'll publish, the celebrity chef turned travel host replied, "an initial list composed of chefs, enthusiasts, fighters, musicians and dead essayists."
Last week, Erin Fortenberry reviewed Walter Kirn’s Blood Will Out for The Millions, writing that the events in the book were partly centered on Kirn himself. Now, in the Times, Janet Maslin reads the book, which struck her as “primarily a tale of seduction.”