BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
Recommended Reading: Anne Boyd Rioux on J.D. Salinger, Harper Lee and the private lives of writers.
“REPORTER: You’ve reportedly conveyed to Judge Garland that if he comes knocking on your office door he’ll be wasting his time. But would you deign to meet with him somewhere off the grounds of the U.S. Capitol? Say, at a Starbucks? BARTLEBY: I would prefer not to.” This Bartleby, the Senator: A Story of Merrick Garland (not to be confused with the Bartleby, the Scrivener).
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.