“What do I want to say with this new language that I can’t say in my native language—or any other language that currently exists?” From The Lord of the Rings to A Game of Thrones, Josephine Livingstone explores the history of invented languages, over at The New Republic.
Speaking in Tongues
Paula Meehan on Bees and Bonnets
In September of 2013, Paula Meehan was appointed Ireland’s Professor of Poetry, and the transcript from her first lecture is available online [PDF]. You can learn more about Meehan in her interview with the Wake Forest University Press, and you can check out a video of one her readings over here.
Nominating the Wrong Book
Well, this is awkward. When the National Book Foundation announced its nominees last week for the Young People’s Literature category of the National Book Awards, they accidentally picked a book called Shine by Lauren Myracle when they really meant to pick Franny Billingsley’s Chime.
Darcy the Ripper
As part of the Funny Women feature at The Rumpus, Melissa Darcey wonders: what would it be like if Lifetime made movies out of classic novels?
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From a Deeper Part of the Cave
“A novel is a trek home from the desert, sometimes a journey you wish you had never started. Exhausting and humbling, just occasionally wonderful. But a short story can come from a deeper part of the cave.” Jane Gardam on why she prefers writing short stories instead of novels in The Guardian. Pair with Lisa Peet’s essay on Gardam’s organically grown characters.
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A Logical Fit
The Guardian posted a helpful Q & A to shed light on a great mystery: why is Penguin Classics publishing Morrissey’s autobiography?
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A Jump in Stature
Mark Twain first rose to fame as the author of an essay about a frog-jumping contest in California. Originally titled “Jim Smiley and His Jumping Frog,” the essay went viral in America’s biggest newspapers, eventually inspiring the New York Tribune to write of Twain that “no reputation was ever so rapidly won.” Yet the humor which made the essay so popular is often lost on modern audiences, in no small part because, as Ben Turnoff writes in Lapham’s Quarterly, frontier humor isn’t funny if there’s no Wild West.
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