Kirkus Reviews has announced the winners of this year’s Kirkus Prize, bestowed annually to authors of fiction, nonfiction and young readers’ literature. The 2015 winners are Hanya Yanagihara (for her A Little Life, who we interviewed), Ta-Nehisi Coates (for Between the World and Me, which we published an essay about), and Pam Muñoz Ryan (for Echo).
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
“I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily.” On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.