This week, Football Book Club is taking it to the next level: They’re reading Maggie Nelson’s The Argonauts and posting about Allie Brosh’s Hyperbole and a Half. If you’re keeping score at home, that means this week is All Brosh, All the Time. Also, as per usual, they will not be watching the NFL and not liking it one bit.
One of the struggles of being a writer is that everyone else is trying to turn your life into a story. Rebecca Makkai comments on well-intentioned friends who suggest story ideas at Ploughshares. Read a piece of her story (or screenplay) below: “WRITER: So I was like, 'Excuse me, are you with the Secret Service?' and she’s like— NEIGHBOR’S BOYFRIEND: Wait, wait, have you written this down? Aren’t you a writer? This would make a great story!”
Masha Gessen has been busy of late. Within months of publishing her investigative look at the charges for Russian punk band, Pussy Riot, Gessen has also co-edited a book entitled Gay Propaganda: Russian Love Stories. Over at The Independent, you can check out a review of the two projects, and over at Guernica, you can read an interview in which Gessen discusses both works.
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O'Loughlin's Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the "first complete English translation of Nietzsche's poetry."