Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.
“While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality.” Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.