In Preparation for the Next Life, Atticus Lish showcased his ability to write brutal, unforgiving stories in terse, economical prose. This new short story from Granta is no different (and no less beautiful).
Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this -- who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
The Morning News continues its Reading Roulette series with Nikolai Klimontovich’s “How to Crow Your Head Off,” which “recalls 1957, when another anticipated influx of foreigners into the heart of the Soviet Union prompted ‘municipal cleansing’ measures of the human sort.”
Some amateur biologists are at work replacing lamps with bio-luminescent trees and flowers, reports Andrew Pollack for The New York Times. Meanwhile South Korean scientists have barking up an entirely different tree for the past two years. (I’m sorry for the pun; here’s an image of a glowing beagle to make amends.)
"Writing isn’t entirely mental. You’re a physical being, and sometimes when your writing is broken, it’s your body that needs attention, not your mind.” Rebecca Makkai has some tips for breaking writer's block and a very cool perspective on writing as a whole person. Pair with our interview with Makkai about her latest novel, The Hundred-Year House.
George Bernard Shaw had a strange relationship with Nietzsche. Alternately envious and dismissive of the German philosopher, Shaw once said he wanted to be an intellectual in Nietzsche’s mold, though he also felt Nietzsche’s thinking was addled and self-absorbed. In an essay for The New Statesman, Michael Holroyd tries to make sense of Shaw’s views.