Over at The Literary Hub, real-life writer Anthony Marra has conducted a hilarious interview with Dana Schwartz, the creative mind behind everyone’s favorite–if uncomfortably familiar–Twitter account, @GuyInYourMFA. Here’s the New York Times review of Marra’s latest novel, The Tsar of Love and Techno.
A Seminal Work
Save Me the Waltz
“It is the persistent, damning mischaracterisation of Zelda as ‘insane’ that most needs undoing. The trouble lies in the diagnosis she was given in 1930: ‘schizophrenia’. While today we know it to mean severe mental illness requiring delicate and often lifelong treatment with medications, therapies, and sometimes institutionalisation, in Zelda’s time it was a catch-all label for a range of emotional difficulties.” Reexamining the life and reputation of Zelda Fitzgerald.
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America: A Review
“Airing from the 1776-77 season through today, America focuses on a small ensemble of white people using things in the ground to become rich or kill brown people.” Megan Amram reviews America at McSweeney’s.
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All Hail King Brody
Damian Lewis is going from being a traitor of a country to running one. He will star as Henry VIII in the BBC’s adaptations of Hilary Mantel’s Wolf Hall and Bring Up the Bodies. Mark Rylance will play Thomas Cromwell (though previously he’s played another role in the court, Sir Thomas Boleyn.)
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Lorrie Moore, Short Stories, and America
Good news, fans of short stories, Lorrie Moore, and America! The author is editing a special edition of the Best American series, 100 Years of The Best American Short Stories, to be released in October.
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“I’m The King of the World!”
David Foster Wallace wrote the best bitter takedown (PDF) of the cruise ship industry ever, but he only had to endure a 7-night vacation. Imagine his horror, then, if he had been forced to spend significant time on The World, a $20,000+/month ship that continuously circumnavigates the world and has permanent passengers in its 165 private residences. For a more detailed glimpse at life on board the ship, check out Anthony Bourdain’s Gourmet piece on his 2003 visit.
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Tune in next week
Emily Nussbaum on the poetry of cliffhangers, “which makes visible the storyteller’s connection to his audience—like a bridge made out of lightning. Primal and unashamedly manipulative, cliffhangers are the signature gambit of serial storytelling.”
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