Over at The Literary Hub, real-life writer Anthony Marra has conducted a hilarious interview with Dana Schwartz, the creative mind behind everyone’s favorite–if uncomfortably familiar–Twitter account, @GuyInYourMFA. Here’s the New York Times review of Marra’s latest novel, The Tsar of Love and Techno.
A Seminal Work
Blairian
Since his death in 1950, George Orwell has grown more and more popular, so much so that his eponymous adjective is now widely used even by ideological enemies. So how did this state of affairs come about? In the new Intelligent Life, an offshoot of The Economist, Robert Butler delves into the story of how Orwell became an icon. Pair with: Vishwas Gaitonde on his visit to Orwell’s birthplace.
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Hitchens on Literary Feuds
With Naipaul and Theroux making nice, the Times asks Christopher Hitchens what makes for a good literary feud these days: “A really first-rate bust-up must transcend the limits of ‘an entertaining side show’ and involve playing for high moral and intellectual stakes”
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Saunders Story a Bite-Sized Buy
George Saunders’ short story “Fox 8,” which originally appeared in McSweeney’s 33, is available as of today as a $0.99 ebook.
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A Definite Orange Theme, It Seems
The Twelve, Justin Cronin’s follow-up to The Passage, now has a cover and release date.
Even longer reads
Smithsonian takes a look at Byliner and The Atavist and what the success and innovation of these two companies can tell us about the hopeful state of longform narrative journalism. Fast Company’s Co.Design ran an image heavy interview with The Atavist’s developer, Jefferson Rabb. I’d add Long Reads to the list too.
New Deborah Eisenberg Story
In a 2010 profile, Deborah Eisenberg told us, of her current efforts at writing fiction, “I’m sort of desperately throwing myself against pieces of paper and only coming up with what look like bug smears.” Now, as will shock none of her readers Eisenberg has come up with something considerably more appetizing: a new short story called “Recalculating.” It’s available, free, at the NYRB (!).
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