As Kevin Jackson notes in Prospect Magazine, Edgar Allan Poe differs from many of his contemporary American authors in that he's often treated with "a hint of condescension and a splash of pity somewhere in the mix" by modern English students. And yet his influence perseveres. He is, after all, the only author with an NFL namesake. And he's apparently huge in France. So what gives?
Have novels about love lost their gravitas as women's liberation and divorce culture have taken over? Adelle Waldman doesn't think so. In The New Yorker, she defends the timelessness of the marriage plot. "As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface." Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman's essay.
The National Book Critics Circle Awards were announced last night, and the winners might be familiar to Millions readers: last year, our own Matt Seidel reviewed fiction prize winner The Sellout, and the Football Book Club read Maggie Nelson's winner in the criticism field, The Argonauts. Head on over to The Guardian for more details.
If you've ever had a successful friend you secretly envied and maybe even hated, you may be in startlingly good company: a new reading of an old letter between Groucho Marx and T.S. Eliot indicates that the "flamboyant misanthrope and the restrained one" shared exactly this kind of frenemyship. Unrelated: a short recording of Eliot reading "The Naming of Cats."