New this week: Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie; The Visiting Privilege by Joy Williams; The Lost Landscape by Joyce Carol Oates; This is Your Life, Harriet Chance! by Jonathan Evison; Cries for Help, Various by Padgett Powell; and Above the Waterfall by Ron Rash. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Tuesday New Release Day: Rushdie; Williams; Oates; Evison; Powell; Rash
Indispensable Squares
"Nobody there but dirty old men who spit tobacco juice and try to look up your skirt." The city square is one of the biggest architectural differences between the United States and Europe. Over at The Daily Beast, George Packer takes a look at plazas/piazzas and makes a case for why America needs more.
Investigated Havana
In the most recent New York Magazine, Conner Gorry takes a look some of the economic transitions affecting Havana, Cuba. Meanwhile, for Guernica, Julia Cooke delves into the city’s epicurean black market.
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The Martian Chronicles
There is a robot on Mars. Mars! And it has a Twitter account.
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Not-Paper Planes
We're not supposed to call it a hypertext, but when you've got some time, try playing around with Paul La Farge's website for Luminous Airplanes - which will eventually grow to encompass three times as much material as the print edition of the book.
Earthsea Continues
One of Ursula K. Le Guin’s digital-only stories will be published for the first time in a 50th anniversary omnibus edition of The Tales of Earthsea.
City on a Hill
As the lone mental hospital in The Magic Mountain referred to by its real name, the Hotel Schatzalp is a holy site for many Thomas Mann scholars and fans. At Page-Turner, Sally McGrane writes about the modern hotel, which employs a staff trained to deal with the occasional “literary fanatic.” (It also might be a good time to read Matthew Gallaway on Death in Venice.)
Writing to Explain Yourself to Yourself
The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
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Fully Secure
Recommended Viewing: Atlas Obscura’s gallery of libraries in which books are chained to the shelves. (h/t The Hairpin)