Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.
Attention Sassy and Jane fans: Infant savant/fashion blogger Tavi Gevinson and Jane Pratt (founder of Sassy and Jane) are starting a new magazine. The publication’s a bit of a mystery right now (no name or website yet), but if you want to be notified when the project launches, click here to get on the e-mail list.
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Recommended Reading: A piece of new fiction by Joanthan Safran Foer! Go check out “Maybe It Was the Distance” over at The New Yorker. Here’s a review of Foer’s Tree of Codes by Kevin Nguyen for The Millions which calls the format of the book, “a wonderful experiment in what a book can be, and also home to a mediocre novel.”
What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
Benjamin Anastas has bid goodbye to the Twitter Village, and he thinks more writers should do the same. “There is a longing built into our online lives that can lead us to healthy attachments with multiple partners, a kind of polyamory of the mind, but it can also encourage the furtive transmission of waxed-chest photos and cock-shots,” he writes. “These are extreme examples of the kind of lonely misfires that Twitter allows, but I felt the temptation to seek comfort from my Twitter feed often enough to realize that it was only a matter of time before I did something embarrassing.”
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.