“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.
The Idealistic Hero
Tuesday New Release Day: Levertov; Tolstoy; Freud
New this week: The Collected Poems of Denise Levertov; a new translation of Tolstoy’s The Death of Ivan Ilyich; and the complete letters of Sigmund Freud.
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The Faces of War
Photographer Lalage Snow photographed Scottish soldiers before, during, and after their deployments to Afghanistan. The photographs show “the toll that fighting … takes on our troops.”
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Making It Big
Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
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Bookends on Russian Literature
To accompany this infographic on Russian literature, The New York Times asked Francine Prose and Benjamin Moser what makes 19th century Russian writing so distinctive. Pair with our own Matt Seidel‘s take on rejected Bookends questions.
A Call to Action
After our plea to lift The Bluest Eye‘s recent ban, The Nation has also come to Toni Morrison’s defense. “This pervasive sexual violence is reality for tens of thousands of students, a reality the Ohio Board of Ed is looking to whitewash with this latest censorship drive,” Peter Rothberg writes.
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L’Chaim
You may have heard that X-Files star David Duchovny published a novel last week. The
book, which developed out of an idea Duchovny had in college, centers on a teenage cow named Elsie who befriends a Yiddish-speaking pig. At Salon, Anna Silman interviews the actor/author, who talks about his book’s allegorical nature and his rumored beef with Vancouver.
Darcy the Ripper
As part of the Funny Women feature at The Rumpus, Melissa Darcey wonders: what would it be like if Lifetime made movies out of classic novels?
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Mississippi, 1952
Recommended Viewing: This 1952 documentary about William Faulkner and his hometown.
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