Recommended Reading: Justin Taylor on Sam Lipsyte’s The Fun Parts and how “attention to language at the molecular level” creates a better experience reading and writing. Pair with our review of Taylor’s Everything Here Is the Best Thing Ever.
Molecular Language
Huxley’s Closes His Doors of Perception
Doors of Perception author Aldous Huxley requested a dose of LSD as he succumbed to laryngeal cancer in 1963. Three weeks later, Huxley’s widow, Laura Archera, wrote a letter describing the experience (“the most beautiful death”) to her brother-in-law. Today the prescription of psychedelic drugs to terminally ill patients is less uncommon than you might expect.
Just Friends
For over twenty years, from the thirties through the fifties, a group of Oxford writers who called themselves The Inklings met weekly to drink, exchange ideas and read aloud their drafts. Though J.R.R. Tolkien and C.S. Lewis were easily their most famous members, the group had other notable figures, among them the language historian Arthur Owen Barfield. In The Chronicle of Higher Education, a history of the group.
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Sad Face
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
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Little Emotions in the Person
Recommended Reading: On Laura Ingalls Wilder’s Little House on the Prairie and the art of hiding one’s feelings — whether helpful or detrimental.
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Tuesday New Release Day
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
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Fiction Contest at Columbia
Columbia: A Journal of Literature and Art has a fiction, nonfiction and poetry contest going on that pays $500 to first prize winners. Joshua Ferris is judging the fiction entries. Deadline is 1/1/2010.
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