Recommended Reading: Justin Taylor on Sam Lipsyte’s The Fun Parts and how “attention to language at the molecular level” creates a better experience reading and writing. Pair with our review of Taylor’s Everything Here Is the Best Thing Ever.
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it's worth revisiting Paul Morton's interview with Krasznahorkai and Adam Z. Levy's review of his latest novel, Sátántangó.
I know, I know - another piece about "the canon." This one, however, is sure to elicit a response one way or another. A sampling: "There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …"
Penguin Books UK has started a podcast. I've added it to my Literary Podcasts post. (via)Law blog Groklaw has a good post explaining the Google Print project and the controversy surrounding it, and Lawrence Lessig has news of a program coming up at the New York Public Library on November 17 called "The Battle Over Books: Authors and Publishers Take on the Google Print Project."Golden Rule Jones has a list of this year's Chicago fiction, and at Pete Lit, Pete tells us about Chicago Noir, a collection edited by Neal Pollock with stories by Adam Langer, Kevin Guilfoile and others.
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.